[1]陈 彤.由老子的“音声相和”谈音乐的和谐之美[J].苏州教育学院学报,2010,(04):72-73.
 CHEN Tong.A Discussion of the Aesthetic in Perfect Harmony of Music in View of Lao Zi’s “Harmonized Music with the Sound”[J].,2010,(04):72-73.
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由老子的“音声相和”谈音乐的和谐之美
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《苏州教育学院学报》[ISSN:1008-7931/CN:32-1556/G4]

卷:
期数:
2010年04期
页码:
72-73
栏目:
海外华文文学研究
出版日期:
2010-12-15

文章信息/Info

Title:
A Discussion of the Aesthetic in Perfect Harmony of Music in View of Lao Zi’s “Harmonized Music with the Sound”
文章编号:
1008-7931(2010)04-0072-02
作者:
陈 彤
苏州市职业大学
Author(s):
CHEN Tong
Suzhou Vocational University
关键词:
关键词:老子音乐美学“音声相和”和谐之美
Keywords:
Key words:Lao Zi music aesthetics “Harmonized Music with the Sound” aesthetic in perfect harmony
分类号:
J601
文献标志码:
A
摘要:
摘 要:老子是我国古代道家学派的创始人。反映老子哲学观点的“音声相和”理论包含了丰富的音乐美学思想“。音声相和” 强调的是“音”和“声”的相互对立统一、相互依存的关系,即只有不同的音调组合在一起,构成相互和谐关系的声音才能形成美妙的音乐。而音乐的起源、音乐艺术、政治功能以及“和”的哲学意义都揭示了“以和为美”的中国古代艺术精神的崇高境界。
Abstract:
Abstract:Lao Zi is the creator of the school of “Tao” thought in ancient China. “Harmonized Music with the Sound”, which is the reflection of Lao Zi’s philosophical thought, includes full meanings about music aesthetics. “Harmonized Music with the Sound” emphasizes the unity of opposites and the interdependent relationship between “music” and “sound”. In other words, the charming music is set by different tones combined to construct the harmonizing sound. The origins of music, the artistic and political functions and the philosophical meaning of “harmony” show that “Aesthetic in Perfect Harmony” is the lofty realm of the art spirit in ancient China.

相似文献/References:

[1]钱皑洁.音乐教育与音乐美学的思考[J].苏州教育学院学报,2011,(01):89.
 QIAN Ai-jie.On Music Education and Music Aesthetics[J].,2011,(04):89.

备注/Memo

备注/Memo:
收稿日期:2010-09-08 作者简介:陈 彤(1971-),男,江苏苏州人,讲师,研究方向:音乐美学理论。
更新日期/Last Update: 2011-01-14